2020
● Piko-ko! (2020)
for piano
first performance by Nobuaki Sato, Tokyo, Japan
● 3 pieces for toy piano (2020)
・moon
・night
・metron
first performance by Nobuaki Sato, Tokyo, Japan
● Karakuri Kikori Ningyo「絡繰木樵人形」(2020)
for shamisen, flute, percussion and cello
first performance by Hidetaro Honjo, Dogen Kinowaki, Sawako Yasue and Tatsuki Sasanuma, Kioi Small Hall, Tokyo, Japan
● Kariboshikiriuta「刈干切唄」(2020)
for shamisen, flute, percussion and cello
first performance by Hidetaro Honjo, Dogen Kinowaki, Sawako Yasue and Tatsuki Sasanuma, Kioi Small Hall, Tokyo, Japan
● Super Bach Boy (2020)
for cello
first performance by Kei Yamazawa, Tokyo, Japan
● Oo./x (2020)
for orchestra
+
parts
あ
....
:: :: ::
=:=:=
〜!?
● Trip! (2020)
for viola
● Fluffy Pink! (2020)
for string quartet
first performance by Tatsuki Narita, Natsumi Tsuboi, Ayako Tahara and Tatsuki Sasanuma, Hakuju Hall,
Japan, Tokyo
● Dianzi Xiaochi!「电子小吃!」(2020)
for vibraphone
first performance by Mizuki Aita, Kanagawa, Japan
● Mopohophony (2020)
for piano
first performance by Nobuaki Sato
● Different Times (2020)
for any instruments
first performance by Ensemble Free East, Suginami Public Hall, Tokyo, Japan
● Gazing (2020)
for cello
first performance by Soshi Hara
● Silent Excitement (2020)
for clarinet
first performance by Thomas Piercy
● Swish and Flick (2020)
for ensemble
first performance by Motoharu Kawashima and Izumi Sinfonietta Osaka
● neon scales (2020)
for any instruments
first performance by Musashi Baba, Noriko Yakushiji, Takako Imai, Aki Kitajima and Shinya Hashimoto
● Fanfare (2020)
for 2 trumpets, percussion and 4 cellos
first performance by Tokyo College Music High School Ensemble, Tokyo, Japan
● Dream Sandwich (2020)
for electric guitar
first performance by Gaku Yamada, Japan (recording)
● Psychedelic Candy (2020)
for clarinet
first performance by Anju Aoto, Tokyo, Japan
● Dawning (2020)
for guitar
first performance by Luís Miguel Leite, Portugal (recording)
● Filter (2020)
for 2 clarinets (A+B♭clarinet)
first performance by Anju Aoto and Maika Shinagawa, Tokyo, Japan (recording)
● Intercosmos (2020)
for orchestra
first performance by Ensemble Free EAST, Suginami Public Hall, Tokyo, Japan, on 21th September 2020
Conducted by Ryosuke Asano
● The Architect / Архитектор (2020)
opera in one act
commissioned and first performance: Маршрут Старухи / The Old Women's Road - Daniil Kharms Festival
Libretto by Daniil Kharms
Director, Konstantin Uchitel
Stage Director, Dmitry Otyakovsky
World premiere: The Old Women's Road - Daniil Kharms Festival, Saint Petersburg, Russia, on 14th June 2020.
● Fragrance (2020)
for guitar
first performance by Vicente Rdz
/ WP: Italy, Mexico premiere: Batalla de Puebla Festival, Mexico City
● Single Breath (2020)
for clarinet
first performance by Thomas Piercy
● cuddly (2020)
for any instrument(s)
ver. clarinet and piano: first performance by Mami Suetsugu (clarinet), Nanako Sugiura (piano)
/ PTNA The Public Recording Concert Tokyo, Japan
● Two Strokes (2020)
for piano (left hand)
● One Stroke (2020)
for piano (left hand)
first performance by Nanako Sugiura
/ PTNA The Public Recording Concert Tokyo, Japan
● Enbai (2020)
for Hichiriki
first performance by Thomas Piercy
/ World premiere: Edison-Duckwall Hall,
Indianapolis, Indiana, USA on May 2020
● Ghosts (2020)
for clarinet duo
first performance by Anju Aoto and Maika Shinagawa, Tokyo, Japan (recording)
2019
● Silent Excitement (2019)
for clarinet
first performance by Thomas Piercy
/ Tokyo to NY Festival 2020, Tokyo Concerts Lab. , Japan
● Connecting Pyotr (2019)
for violin- Encore piece for Tchaikovsky's violin concerto -
to Tatsuki Narita
● Flying (2019)
for flute
first performance by Rio Takahashi
● Dreaming Brain (2019)
for string trio
● Mopohophony (2019)
for piano
● REMS (2019)
for violin
first performance by Tatsuki Narita
/ Nagoya, Japan
● Hina (2019)
for violin
- for 17th birthday of Hina Maeda -
● miniminicosmos (2019)
for orchestra
● IAAT (2019)
for violin, viola, cello and piano
first performance by Maiko Matsuoka (Vln.), Yoshiko Hannya (Vla.), Kei Yamazawa (Vc.), Yuiko Yasuda (Pf.)
/ 門天の夏2019, ~ Jo Kondo, Special Lecture · Yoichi Sugiyama, Conducting Master Class · Student Concert in Ryogoku Monten Hall in Tokyo
● Swish Swoosh Woosh (2019)
for orchestra
first performance by TCM Contemporary Sinfonietta
/ Yuri Umemoto Works vol.2 in Tokyo College of Music H.S.
● Sensus (2019)
for viola, video and live electronics
first performance by Riku Richard Omori (Vla.)
/ Tokyo Media Interaction, ACOUSTICLUB Vol.4
● Lost Drop (2019)
for 3 flutes, 3violins and percussion
● Barocco Machine (2019)
for cello
first performance by Soshi Hara
/ マルシャリンホール
● Automatism 2 (2019)
for cello
first performance by Soshi Hara
/ マルシャリンホール
● Landscape Erode in to A (2019)
for vibraphone
first performance by Mizuki Aita
/ 打楽器百花繚乱Ⅵ in Tokyo
● Wood Egg (2019)
for guitar
to Karol Samuelčík, first performance by Karol Samuelčík in Slovakia
/ Japan premiere : performance by Nene Yokomura, Yuri Umemoto Works Vol.2 in Tokyo College of Music H.S.
2018
● Elegy (2018)
for violin and string orchestra
first performance by Shina Yamamoto, TCMH Contemporary Sinfonietta
/ Yuri Umemoto Works Vol.2 in Tokyo College of Music H.S.
● Sounvity (2018)
for 2 violins and percussion
first performance by Mio Kuroiwa (1st Vn.), Hina Maeda (2nd Vn.), Takuto Furukawa (perc.)
/ TCM Hall in Tokyo College of Music
● Euangélion Two pieces for Guitar (2018)
first performance by Nene Yokomura
/Pre Concert of 8th, Onshoku no Akari series in Tokyo
● Music for Tuning (2018)
for piano, 2 violins, viola, cello
first performed by Yuri Umemoto, Hina Maeda (1st Vn.), Mio Kuroiwa (2nd Vn.), Koko Kusakabe (Vla.), Kenichi Masuda (Vc.)
/ Yuri Umemoto Works in Tokyo
● Automatism 1a, 1b (2018)
for solo violin
first performed by Maiko Matsuoka
/ Ensemble Akiyoshidai vol.1 in Tokyo